Friday, December 23, 2016

Steve Grand's Priority MALE Express

Singer/songwriter/hot dork Steve Grand is making shipping and handling a family affair. You know the rules, after the video will be some observations





OBSERVATIONS: So, about the calendar; it sold out in less than 24 hours and that means one thing: the fanbase is shallow as fuck. The minute a calendar comes out, it's swooped up almost instantaneously but his DAVE AUDE REMIX OF "We Are the Night" GETS PAID DUST. πŸ˜’





Still available on Spotify, iTunes, etc.
*Remix not available on any physical release of All-American Boy


- Histrionics aside, it technically means that the calendar sales thus far are helping him setup funds to record potential new songs, covers and upgrade equipment in the near future. That and for the perpetual thirst-buckets, there is another calendar in the works.

- To get or remind yourself how orders are usually shipped out [shipped by or before Christmas? Gurl...good luck. #PriorityMailExpress] here's him fulfilling non-perverted orders:



If you have $ and want to help him out with sales, it's shop.stevegrand.com

Saturday, December 10, 2016

TIERS Fall Down My Eyes: The Black Eyed Peas' Albums/Discography

Having taken part in now 5 album rates for the pop music subreddit, /r/popheads, I thought it would be interesting to rate and judge the discography of everyones' favorite band to rag on; The Black Eyed Peas.

THE ALBUMS: No, Behind the Front and Bridging the Gap don't count. No real single success nor relevance was gained. All four albums below are as they appear on Spotify. 60 songs enter and only one shall reign supreme above all else.

There will be three tiers; BAD for the lower 20, EH for the mediocre 20 and GOOD for the 20 best. "B", "E" and "G" will appear next to each song on the list so you can know which tier they'll end up in.

- Elephunk
1. "Hands Up" E
2. "Labor Day (It's a Holiday)" E
3. "Let's Get Retarded" G
4. "Hey Mama" G
5. "Shut Up" G
6. "Smells Like Funk" B
7. "Latin Girls" E
8. "Sexy" B
9. "Fly Away" G
10. "The Boogie That Be" G
11. "The Apl Song" E
12. "Anxiety" (with Papa Roach) B
13. "Where Is the Love?" E
14. "Let's Get it Started" [Spike Mix] B
15. "Third Eye" B

- Monkey Business
1. "Pump It" G
2. "Don't Phunk with My Heart" G
3. "My Style" (featuring Justin Timberlake and Timbaland) E
4. "Don't Lie" G
5. "My Humps" B
6. "Like That" (featuring Q-Tip, Talib Kweli, CeeLo Green and John Legend) G
7. "Dum Diddly" (featuring Dante Santiago) E
8. "Feel It" G
9. "Gone Going" (featuring Jack Johnson) B
10. "They Don't Want Music" (featuring James Brown) B
11. "Disco Club" B
12. "Bebot" E
13. "Ba Bump" E
14. "Audio Delite at Low Fidelity" E
15. "Union" (featuring Sting) B

- The E.N.D.
1. "Boom Boom Pow" G
2. "Rock That Body" G
3. "Meet Me Halfway" G
4. "Imma Be" G
5. "I Gotta Feeling" G
6. "Alive" E
7. "Missing You" B
8. "Ring-a-Ling" B
9. "Party All the Time" B
10. "Out of My Head" B
11. "Electric City" B
12. "Showdown" E
13. "Now Generation" E
14. "One Tribe" E
15. "Rockin to the Beat" E

- The Beginning ["Deluxe" version πŸ˜’]
1. "The Time (Dirty Bit)" B
2. "Light Up the Night" G
3. "Love You Long Time" B
4. "XOXOXO" B
5. "Someday" E
6. "Whenever" B
7. "Fashion Beats" G
8. "Don't Stop the Party" B
9. "Do It Like This" E
10. "The Situation" E
11. "The Coming" E
12. "Own It" G
13. "The Best One Yet (The Boy)" G
14. "Just Can't Get Enough" G
15. "Play It Loud" E

Now that each song has been tiered, time to fuck up the fun and rank each tier properly. Comments will appear at several points, so get comfortable.

BAD
60. "The Time (Dirty Bit)" - Creative pathways is the nicest way to describe what the song actually is; a hellhole of half-baked ideas and beat schemata that will.i.am had schlocked together because he didn't know what the hell to do with this song.
Taboo's omission from the song alongside Fergie's off key singing on the NON Auto-Tune parts of the song and just everything about this makes this The Black Eyed Peas' worst song in their discography.

59. "My Humps" - The lyrics are just names of jeans and Fergie having to play a gold-digging hoochie. Add in the clunky beat, the fact "My Humps" is said 9 times before the utterance of "my lovely lady lumps", it only took botching a sample of an 80s song to have this not be the worst song in their discography.

58. "Don't Stop the Party" - Please make it stop.
57. "Whenever" - Whatever, this song sucks too.
56. "XOXOXO" - NONONO is more like it.

55. "Love You Long Time" - If you're going to reference Full Metal Jacket, do it better than this song. The bar is as high as a mormon so you should succeed where the Peas have failed.

54. "Electric City" - At one point Fergie "sings" something to the effect of, "They ridin' on my dick/Think I'm a dildo" πŸ˜’πŸ† Before any line from "M.I.L.F. $", this could've easily clenched the top spot of worse Fergie lines ever sung.

53. "Ring-a-Ling" - that one "My ding-a-ling" joke from The Simpsons but in song form.
52. "Missing You" - Not even on a milk carton.
51. "Party All the Time" - Eddie Murphy taught you nothing.
50. "Out of My Head" - Sadly, this song cannot escape my head.
49. "Third Eye" - I'd rather gouge my two own then give this pretentious crap another listen.

48. "Anxiety" (with Papa Roach) - One of two songs that suffer from soundclash. In this case, the Hip-Hop/Pop group against a hard rock act that in theory...seems weird already. I get stretching musical boundaries is needed for the appearance of versatility but this simply does not work on any level. Yes, there are songs worse than this, but make no mistake; this song sucks too.

47. "Smells Like Funk" - Presented without further comment.

46. "Gone Going" (featuring Jack Johnson) - The second of two songs with soundclash. This time, less talented Jason Mraz AKA Jack Johnson is brought along to play the same, rudimentary chords on his acoustic guitar for the Peas. What will.i.am and co. didn't realize was the fact they were calling out a fictional character for living shallow and not relating to people.
Music critics must have had aneurysms over the irony. Aside from that, this song while not as sonically atrocious as the others mentioned still sucks because of sub par content.

45. "They Don't Want Music" (featuring James Brown) - Presented without further comment.
44. "Union" (featuring Sting) - Too boring to point out the soundclash here as well.
43. "Disco Club" - Clunky, redundant but better than a lot of songs here.
42. "Sexy" - Anything but sexy is way more accurate.

41. "Let's Get it Started" [Spike Mix] - Censorship is wrong. The song is called "Let's Get Retarded" and it's in reference to dated slang in reference to having a damn good time. Still the same song that made the good tier, but the title alone earns a place in the bad tier.


EH
40. "Someday" - Not
39. "Do It Like This" - Worth
38. "The Situation" - Full
37. "The Coming" - Commenting
36. "Play It Loud" - Effort

35. "Ba Bump" - It barely makes a "ta thud".

34. "Audio Delite at Low Fidelity" - Boring but at least shows off one of the few times a Peas production can be decent on a strictly album cut.

33. "Latin Girls" - The poor man's "Senorita" by Justin Timberlake. It's one thing to sing about the type of person you're attracted to, but good GOD is will.i.am not smooth enough or lyrically deep enough to convey the message. Above average beat saves it from further evisceration.

32. "Hands Up" - Too boring to rip.
31. "Labor Day (It's a Holiday)" - Second verse, same as the first.

30. "Now Generation" - A song that attempts to reflect short-term satisfaction based society but ends up being a horribly dated technology/digital age inspited piece of dreck with barely above average beat work. The surprising amount of ambition behind it is the reason it ranks high. Also, "We are the now generation/We are the generation now" is a dumb lyric.

29. "One Tribe" - A humanist song that can be misconstrued as "colorblind" or "rose colored glasses" thinking when really it's just a diluted empowerment anthem. If I want to hear airy optimism, I'd look up Talim from Soul Calibur II's audio "I am one with the wind!" Concept alone is the reason it ranks this damn high.

28. "My Style" (featuring Justin Timberlake and Timbaland) - Boring pop/R&B on a Black Eyed Peas album...called "My Style".

27. "Dum Diddly" (featuring Dante Santiago) - Boneheaded but catchy enough to be in the EH tier while not awful enough for the BAD tier.

26. "Rockin to the Beat" - Inoffensive in theory as Taboo pretty much gets a song to himself...but GOOD GOD is it near mind numbing at times. Remember; there are such things as worse songs on this list.

25. "Showdown" - Good beat, a bit on the repetitive even by Peas standards, this could rank higher if not for the most eyebrow raising lyrics in their discography...


"Terrorize the funk call me Bootsy Al'Qaeda
I'll verify that I got lots of hoochies on data"

In case that was lost on you, will.i.am forced a bad pun with Bootsy Collins [funk musician/Christ figure in music] and terrorism. πŸ˜’πŸ˜’πŸ˜’πŸ˜’πŸ˜’πŸ˜’πŸ˜’πŸ˜’

24. "Where Is the Love?" - Hate me all you want, but there is no conceivable way this has aged well even by Peas standards. Yes, it's the type of "conscious" rapping critics and even long time fans of the group loved but oh good GOD is the hype not worth it in the end.
Fergie's vocals are subtle, will.i.am's rhymes are the least truncated and forced and Taboo and Apl got some attention. However, there is still better material from the Peas in the GOOD tier to come.

23. "Bebot" - Slight downgrade from "The Apl Song". Filipino pride is fantastic to show off, but this is not better than its predecessor. Not by a mile.

22. "Alive" - Surprisingly underappreciated gem from a critically mixed album.

21. "The Apl Song" - Still no OTSO OTSO, but this song earns highest of the EH tier simply because it gives Apl some spotlight and shows off some cultural pride.


GOOD

20. "The Best One Yet (The Boy)" - See
19. "Own It" - #17
18. "Light Up the Night" - For comments about The Beginning in general

17. "Fashion Beats" - Make no mistake, that despite 5 good songs coming from The Beginning, it is still the Peas' worst album by a mile and a half. At least with this accidental ripoff of "Fashion" [Confessions of a Shopaholic "Fashion" mind you] by Lady Gaga, the Peas actually made something interesting on their worst album.

16. "Fly Away" - Good
15. "The Boogie That Be" - But not great from Elephunk

14. "Like That" (featuring Q-Tip, Talib Kweli, CeeLo Green and John Legend) - Second verse
13. "Feel It" - Change Elephunk to Monkey Business

12. "Let's Get Retarded" - No, it didn't miss the Top 10 because of an "offensive" title. There's just 11 songs better than it because of the entire discography being judged. Still, the beat carries a lot of the weight and Fergie's singing is at some of her best.

11. "Shut Up" - Never fully released as a single in the U.S., it's still a catchy song that sadly lives on as a memory of Whitney Houston lipsyncing along to it on Being Bobby Brown. Still, Elephunk at large was will.i.am proving that Fergie would make the group breakthrough and for better and The Beginning, he was right.

10. "Just Can't Get Enough" - Yes, this is ahead of other Peas songs in the GOOD tier. At least the first 2:40 of it. The track change is a sin and a half that the Peas get deserved criticism for in this case. However, for those first 2:40 seconds, will.i.am, Fergie and the normally neglected Taboo actually get a chance to showcase what they suck the least at with music.

9. "Hey Mama" - The best of Elephunk can't crack the Top 5. Sorry, but I can at least get credit for not pandering to people by putting "Where Is the Love" here. "Hey Mama" is groovy, has the least awkward truncating of a rhyme from will.i.am on the album and has the most natural feel from Elephunk.

8. "Boom Boom Pow" - Kill me later, I know anything but bottom 5 has me being questioned by a lot of people. Here me out; while this song has some abysmal Fergie vocals and will.i.am trying to sound intimidating with "Here we go here we go/SATELITE RADIO/Y'ALL GET HIT WITH THE Boom Boom", "Boom Boom Pow" survived to the Top 10 because of the production...'s timing.
2009 would end up being the year that EDM/electronic/labeled "club" music would end up becoming the thing people would milk the living hell out of in years to come. The production fit right in with the David Guetta tracks that would surge on the radio. Timing is everything, otherwise, "Boom Boom Pow" would deserve its derision.

7. "I Gotta Feeling" - Yes, this song was on the radio for too many weeks. No, that doesn't make this a bad song. As with "Boom Boom Pow", this song got lucky due to timing. It's upbeat fun that you have to be in a good mood [read as "less pissed off at the world than normal"] to enjoy.

6. "Pump It" - High energy fun that has Apl sound like he is going the fuck in on a Peas song and in retrospect, might be him at his best. Also, Fergie's vocal runs are superb.

5. "Imma Be" - The beat change after the 2nd verse is what has this only at #5. Everything else about it; even the line "I'mma be a brother, but my name ain't Lehman/I'mma be ya banker loading out semen" doesn't detract from the overall appeal of the song. Fergie accidentally invented Meghan Trainor, but still; the beat work is just that damn addicting...even if it switches for no damn reason.

4. "Rock That Body" - It's like "Imma Be" but without the beat change and another instance of accidentally inventing Meghan Trainor; "Yeah, you could big boned, long as you feel like you on/You could be the model type, skinny with no appetite". Apl and Taboo actually get their...well least awkward is an honest way of giving them acclaim while not pretending like they were that essential, right? Anyway, of the intentionally upbeat songs from The E.N.D., this track rules over the rest.

3. "Meet Me Halfway" - If there's something that can overshadow upbeat fun, it's a song that can start with Apl after Fergie; also, this is some of Fergie's best singing across the Peas' albums and even her solo material. Modern BEP material peaked with The E.N.D. but with the Top 2 songs, creatively speaking? They kind of peaked on Monkey Business. Make no mistake, The E.N.D. still has their most viability and 5 songs in this Top 10.

2. "Don't Phunk with My Heart" - This came so close to winning. What cost it the victory? "If you smoke, I smoke too/That's how much I'm in love with you" 😩😩😩😩😩😩😩😩😩😩 Bad lyrics can really cost you when they need too. Still, there's a lot in this song's favor. will.i.am sounding like he still has enthusiasm in his music [that died in 2011 for what it's worth], Fergie using her coquettish vocals in the best way, Taboo getting some shine and even the tacky music video letting Apl be a ham.

WINNER - "Don't Lie" - Simply put, this is their best song ever. Even its lyrical duds are more boring and vague than bad and considering it's a Black Eyed Peas song, that is astounding. Still all four members get a chance to shine with Fergie's best singing, Apl and Taboo's most meaningful [if not boring and vague] lines and will.i.am winning most improved, read as "rhymes not as truncated on Elephunk".

Thursday, December 8, 2016

A "Million Reasons" Steve Grand Should NOT Do The Voice

I mentioned it before in my end of the year post that I could make an entire blog post as to why singer/songwriter Steve Grand doing The Voice would be a bad idea. Well, here it is; I'm givin' you a Million Reasons...givin' a Million Reasons, givin' a Million Reasons...OK as much as I can list as to why Steve doing The Voice would be a bad idea.

Worst comes to worst, he might end up having to resort to being on the show. In past interviews, he's said he wouldn't do shows like The Voice due to not having a personality he thinks they want for TV (I'd link them, but you lazy SOBs should research your damn selves for once.) No T, No Shade I love him but if he thinks he's too sheepish, he actually fits in with most of the contestants seasons ALL to SERIOUSLY ALL THE DAMN SEASONS.

In my 9 consecutive seasons of watching, skipping season 10 and sporadically seeing if one Billy Gilman is worth the hype [SPOILER: he isn't] I've seen enough of the show to formulate what would happen and none of it is pretty.

1. He'd be labeled "The YouTube Country Star Trying to Go Pop" - The Voice is notorious for labeling certain contestants near cringe inducing things [think to the effect of "Window Washer R&B singer", "Insurance Salesperson folk singer", etc.] Add in the fact, Grand was first brought to attention by now former BuzzFeed writer Matt Bellassai and was a "viral country star", the show will beat this label into the fucking ground.

This label might haunt him whether or not any phase of his time on the show will make it to air. REMEMBER: the show has montaged/not shown two of its contestants [Rebekah Samarin from S7 and Katherine Ho from S10] in the Blind Auditions, Battle Rounds and Knockout Rounds.
He's most likely not going to be montaged especially in the Triple Crown format, however...

2. He'd be used for "Shevine" fodder in the Blind Auditions - For the record, this is going to be about the coaches in general but "Shevine" is most definitely going to be a factor in this. Let's just get the worst to best coach order out of the way right now [Cee-Lo, Shakira and Usher don't count for the ranking since neither are coming back for their own reasons]:

- Blake: DO NOT PASS GO, DO NOT COLLECT $200. Avoid country at all costs.

- Miley: No one should have to take vocal lessons from a braying, twerking goat.

- Gwen: Look at some of the songs Gwen has forced on her contestants and then tell me she'd be a good coach for Steve.

- Christina: Definitely a risk-taker but Xtina might not give a fuck about him enough and might do him wrong repeatedly.

- Alicia: Songwriter to songwriter plus, but Alicia might not care/might not turn/might only barely steal him in a Battle round worst comes to worst.

- Pharrell: Takes chances, might actually be invested in him but if original songs come up in the finals and Steve gets a song written by him? Uh-oh...

- Adam: Both love Sir Elton John AND Adam might have enough attention span for Steve. However, dud song choices might fuck with Steve one week and cost him the competition.

Even worse, I can tell you now, Steve will definitely be "Shevine" fodder in the auditions. For the uninitiated, "Shevine" refers to Adam and Blake's relationship on the show. In this context, Steve might end up being a 2 chair turn with Adam and Blake turning around.
The plot will revolve around Blake trying to bait Steve to embrace a country identity and Adam probably being stupid enough to try and bait Steve under the "I like country too and I think I can win the show with a country artist like you!" If asked who his influences are, Steve would bring up Elton and Adam would eat him up.

BEST CASE SCENARIO: Steve being on Team Adam
WORST CASE SCENARIO: Steve being a 1 chair turn...for Blake

3. He'd be screwed with the prize contract of a deal with Republic Records - Let's just imagine the best case scenario if GOD FORBID, Steve ends up on The Voice [and also pigs flying and hell freezing over]; he wins for Team Adam after not singing bad songs for the entire phase of the competition. Republic Records hates who wins.

For what it's worth, Universal is to blame at large for the fact that a singing competition they're involved with has a mainly SONY based judging [Shakira, Xtina, Alicia, Pharrell, Usher and Miley] and WARNER based judging [Blake and Cee-Lo] and has had only TWO of its own damn artists as coaches [Adam and Gwen.]
Oversight aside, the label that's supposed to be behind the artist that wins? Well that shit goes haywire real quick and here's proof of such instances [Cassadee and Danielle not withstanding because who cares, it's country. Jordan Smith not withstanding because, ew CCM/Gospel; Alisan Porter yet to be withstanding because pending flop alert]:

- Javier Colon, S1: album tanks at #134 on the Billboard 200, label drops him.

- Jermaine Paul, S2: single, not album, "Believe" was used once in a Samsung commercial and then the label canned him.

- Tessanne Chin, S5: album flops at #41 on the Billboard 200 and sold 7,000 copies the FIRST WEEK. O_O Dropped.

- Josh Kaufman, S6: according to a Yahoo interview with Luke Wade from S7, Republic "immediately dropped" Kaufman the week of his victory.

- Craig Wayne Boyd, S7: single, "My Baby's Got a Smile On Her Face" becomes only the 2nd song to debut #1 on the Hot Country Songs chart and Dot Records [division of Big Machine/Universal] STILL dropped him with no album release.

- Sawyer Fredericks, S8: album flops at #48. Could be dropped at some point.

The point is, Steve Grand would be setting himself up for utter disaster if he were to ever consider The Voice. I've given this thought and need help but whatever.

Saturday, December 3, 2016

It's The End of the Year (And We Know It)

I should've been above a dated reference to an allegedly good music act called R.E.M. but alas, here we are. As to why this blog hasn't really put out anything besides responses/promotion for singer/songwriter/LGBTQ activist/hot dork/the man of my dreams Steve Grand & the other minimal content at best...I'll be honest. Shit just went left for a mix of personal reasons and the fact that this year was kind of the worst outside Twitter*.

*Yes, things felt bad outside of the place on the internet which is pretty much best described as "Facebook with the option to block.

Blog-wise, lack of motivation and feeling drained with not much to say really did get to me.

[NOTE: if you must absolutely have some type of idea as to what caused this early in the year imagine expecting to graduate from college but hearing the family talk ad nauseam about an expected first grandchild that was two months or so from birth. Almost selfish as fuck to admit I felt upstaged by a baby's birth when I was about to graduate with a Bachelor's in Communication, but I was swept aside like that and up until Thanksgiving I loathed family connection.]

[NOTE 2: OK, also I did try to get Steve Grand to play something in San Antonio working with his booking agent and while cooperative at first, I never heard back from said agent after giving 4 locations knowing one of them would probably be a miss by the time I had found some information. Any feelings related to resentment, jealousy and bitterness (What the children might call "salty"/"saltiness") are things I should work on but I'm a case where holding in these feelings is bad.]

Near morbid notes aside, I honestly didn't conceptualize more than what's been on the blog thus far. I've been out of it and have had no outlet other participating in album rates for a pop music subreddit called /r/popheads. It's this constant feeling of being swept aside so much...ew, this is turning into a manifesto.

Positive notes as of late is getting into Todd In the Shadows and The Cinema Snob videos (Rage against bad music and movies respectively, makes my soul smile.) So, I am thinking of doing my version of a year end list of bad music where in list form, my rage against bad music can be...a sign that I'm not holding in bad feelings anymore. That aside, I'll do a set of HOPES 'N DREAMS regarding as to what I hope happens in 2017. It won't be pretty, but if overrated sex symbols have taught me anything, you don't have to be pretty to be well received.

HOPES 'N DREAMS: Music can actually be criticized even if names like BeyoncΓ© are being brought up. Poptimism must die in 2017 because it's sadly not dying in 2016 like anything or anyone else [The GRAMMYs In Memoriam section is going to be a bitch for all involved.]

- Speaking of BeyoncΓ©, I hope her marketing team for radio singles actually do their fucking job for the next album. If 12 singles chart on the Billboard Hot 100 and none of them crack higher than #10 and the only song to maintain momentum peaked at #11, you can kiss my ass claiming this was an achievement worth bragging about.

Also, I dream of the day the Beyhive can shut the hell up about that Glorified HBO Special acting like it deserved an Emmy. It was an incomplete "visual album" as "Formation" was omitted visually and vocally as only a poorly looped instrumental was played over the credits. Side note: shut up about "Daddy Lessons", "Love Drought" or really any song from that Glorified HBO Special not named "Hold Up" and "Formation". Talk about the good songs

- I hope and dream that Frank Ocean apologizes for that unorganized, chaotic mess known as Blonde/Blond/should've stayed Boys, Don't Cry because Blonde/Blond is a stupid album name.

His marketing sucks too [and he no longer has an idle Def Jam label to blame] as a magazine called "Blonde"/"Blond" would've at least had people try to make better sense out of the magazine. See, "Blonde" would've at least conjured up someone challenging Western societal standards of beauty, race relations and masculinity from Ocean's POV as a black bisexual man. Seriously, the fact there's a fucking magazine only edition of the album is already aggravating but at least calling the magazine "Blonde" would have made way better sense.

As for the music? "Pink + White" is the only song I can honestly say is anything worth a remote damn about. Everything else is an uneven blob of textured beats with half assed vocal delivery and falsettos so bum, I heard them ask for spare change.

- I hope "bad" means the worst and not just "pointless" with critics. Todd In the Shadows, The Cinema Snob and pretty much every other critic is guilty of this mentality of "bad" no longer meaning the worst thing that pissed them off the most or making them unhappiest. No instead, there's this weird and disgustingly wrong definition that "bad" is the "absence of good" [think like "dark" is "the absence of light" πŸ˜’]

From now on, if music or movies have to be subject to Worst Of lists, stick to the correct guidelines. Songs/albums that are horribly constructed, poorly sung or simply piss you off, put them on your list in order of bad to worst as #1. Same principle for movies; the movie that's THE WORST; acting/editing/anything that makes a movie suck is to top the list of the worst.

You are not predictable/blase, if you put something that is absolute trash at the top of a Worst of list. That's how it's supposed to work.

- I hope that Steve Grand covers good songs in the near future. I've bitched about this before and this time it's inspired from an appearance as the guest of the Halloweenie creators on a UBN Radio show [Which by the way, is hosted by a Ross Matthews wannabe who called Steve a model and earned my ire for not bothering to research into the fact that because Steve was never signed to a modelling agency and made pennies on the quarters for the work he did, he was never really a model.]

"Million Reasons" can be the 4th Gaga song I dream of him covering along with the 50+ other suggestions I've blogged about. Once he gave an idea that he intends on a cover album before the sophomore album [#PrayForSG2] I was intrigued...before being slightly defeated at this utterance; "Some of my favorite covers over the last five decades..."

OH MY GAGA, if I want to hear covers of either songs I don't know or care about with songs from today I can't stomach at large, I'd watch The Voice again. In fact, I could make a separate blog post as to why Steve being on The Voice would be a bad idea. That aside, he deserves this much; coverage from outlets and not just me and coverage from outlets smart enough to realize he isn't country.


Apart from everything else, I hope and dream of happiness, sex and/or love alongside success in 2017. See you on the other side.πŸ’–